Chair in period cream painted by the artist’s wife using a pot of paint randomly acquired by the children some years ago. The tin of paint was in a cardboard box outside someone’s house and labelled “free to a good home”.
There is plenty of interest in this scene and the slightly off centre position of what is notionally the centrepiece lays down a gauntlet to traditionalists.
The tap spout in the sink by the window points away from the chair suggesting a friction between the establishment and the new order.
The presence of many fridge magnets represents attempts by the artist to spread his ideas widely to numerous places frequented by large numbers of people during summer months.
The paint stained copy of the Bailgate Independent on the table contains an editorial piece on the launch of philosopherontap.com Book1, The Abandoned Sandy Shoe and Other Chinks in the Curtains of Life.
Original signed prints of this work can be obtained by contacting tref via the philosopherontap site.
[…] is the same kitchen used by the artist for his still life studies as characterised by “Painted chair in early morning light” in which you can see the black marble effect worktop that forms the backdrop for […]
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